Monday, October 22, 2007

Heroes—Fight or Flight

















Molly is still unconscious, with her two daddies tending to her. Matt departs to go find his father. His first stop is Angela Petrelli. Nathan isn't happy about Matt questioning his mom. They end up going to Philly together to hunt down Matt's dad. Nathan isn't pleased with Matt's suggestion that they fly there together. Nathan is all scruffy. This is infinitely better than the beard. They find Matt's dad and discover, predictably, that he's also received a photographic death token. Matt tries unsuccessfully to read his dad's mind, and Dad promises to tell him "everything." Matt's dad double-crosses him with a door that takes Matt to prison and Nathan to nuclear holocaust New York. He must have that key from The Lost Room. Or maybe just some mind manipulating abilities. Either way I think Matt and Nathan are in some serious trouble. In the apocalypse-world, Nathan faces his own burn-scarred self, while Matt finds himself imprisoned with his ex-wife and her baby. So they're both facing some kind of inner struggle with conscience thing in a dreamscape. And everybody knows inner conscience-struggles are never complete without a little headbutting. Matt manages to break them out of the dream, in which they've actually been headbutting each other. They discover Bob's death token--looks like he's next.

Mohinder calls Bennet. He's planning to take Molly in to the Company to get her some help. Mohinder takes Molly to the Company. Mohinder, sweetie, why are you being so dumb? His Company boss, Bob, sends him out into the field with a taser to bring in someone else. Jessica shows up and beats the hell out of everybody until Mohinder tasers her. Mohinder tries to rescue her once she switches back to Niki and discovers she's there of her own volition, looking for a cure.

Monica tells the cops about what happened at the restaurant. This show has a preponderance of characters with names that start with M. Matt, Mohinder, Molly, Monica, Maya, Micah, Mr. Muggles... Mr. Bennet, except I guess that doesn't count because his name's really Noah. But I digress. Monica has the usual I don't know what's happening, nothing makes sense anymore, blah blah reaction to her new powers. Yawn. Pardon my boredom with the new characters, but jeez, they have enough regulars in this cast to populate a small country. Micah plays the piano. That reminds me of when Noah Gray-Cabey used to be the obnoxious piano-playing kid on My Wife and Kids. Monica can mimic his playing just by watching. Micah puts the pieces together and tells Monica about his powers to get her to open up to him. He gives her a 9th Wonders comic about a Copycat talent to help explain. She begins to experiment with her powers. And then Mohinder shows up at her door. Hm. It's like when Xavier shows up at your door to invite you to X-Men school.

In Ireland, Peter and Caitlin make with the smoochies in the bar. Have I mentioned I like Peter's new haircut? Caitlin encourages Peter to see what's in the Mysterious Box O' Doom. Peter decides he'd rather take her to his room for tea and crackers. Elsewhere in Ireland, Veronica Mars shows up looking for Peter. She was a pretty good private detective for about a season and a half there--Peter might be in trouble. And now she can make lightning. I wonder if that's how Peter picked up that skill? He didn't have that before. So maybe they ran into each other before Peter got his brain wiped clean. Caitlin's brother offers to take care of Veronica Mars while Peter hides with Caitlin. At Caitlin's flat, Peter admires her paintings, and finally decides to open the box. He confesses his devotion to Caitlin first--we know that won't end well. The box doesnt' really have anything all that interesting in it. So much for that buildup. Peter has a precognitive flash and uses Caitlins painting supplies to use his Isaac-powers. Veronica Mars continues to be obnoxious. I'm really not liking her character much so far, which is probably why I can't seem to be bothered to look up the character's name on imdb. Anyway, she zaps Caitlin's brother. That's just rude. Her daddy, who she's reporting to, isn't too happy about it, either, and she's ordered home. I hope you get all your allowance cut off, Veronica. Peter and Caitlin try to interpret the painting he just created, and Caitlin gets news of her brother's death. Peter determines to find the bad guys.

Ando takes his teeny scrolls to an expert to have them analyzed and repaired so he can continue reading them. The expert says they're genuine, and repairs them so we can head into another flashback with Hiro and Kensei and Yaeko. They're off to defeat White Beard, and Kensei and Yaeko seem to be getting along swimmingly. But it looks like the three of them are facing off against an entire army, and after that the scrolls are too damaged to read further. Yeah, Ando, I hate those cliffhanger endings, too.

Tonight's episode felt disjointed to me, as if they were trying to cram too much into a small space. Which, point of fact, they were, and are, and sort of always have. It just seemed a little more like that tonight than usual. I'm sure they're doing setup that'll play out later on down the line, but I still wish they'd streamlined the show a bit more rather than making it more complicated. I know I keep harping on that, but I really think it's made this show harder to watch.